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Chapter Four
Moccasin Telegraph Telecom
The moccasin telegraph is the way that things
travel, by word of mouth in Native country - the Native way is to
visit, and exchange gifts, stories and information. This slow but
sure network is augmented by radio, television, print and now
cyberspace. This section examines some things that are being gained
and lost in historic and modern cultural exchanges through
technology among Natives and others in Canada.
These show cultural exchanges, losses, and survivals
at the same time. The current opportunity for cultural exchange in
cyberspace is perhaps a last chance for exchange of perspectives, or
a knell for assimilation.
In Cyberspace Smoke Signals, Larry Zimmerman writes
that trade activities and communication crossed the continent long
before contact:
Such activities required mechanisms for cross-cultural
communication, and indeed, these mechanisms existed. On the
Great Plains in the center of North America, there was a sign
language effective for trade as well as giving locations of
bison herds and positions of mutual enemies. In the Northwest,
Chinook "jargon" became a lingua franca in the
substantial trade systems along the coast, even incorporating
white words after contact. Smoke signals from smudge fires
allowed some groups on the Plains and in the Southwest to
exchange information over great distances and across cultures.
Where synthetic forms of communication developed, they actually
worked to preserve identity rather than break it down. At the
same time, they aided in formation of some level of pan-Indian
identity, a process nearly institutionalized with the coming of
the Euroamericans. Both processes remain visible today, and new
technologies have become the prevalent synthetic communication
types (2002: 70).
Life on Turtle Island before the European invasion
was very much an aural, and oral, experience. Native life is oral
and kinetic; it is vested in sound and movement of the natural world
rather than the written word which tries to describe and control
nature. The voices of the indigenous people here carried legends,
stories (history) and songs. Little was written. Native culture and
knowledge lived through a constant communication, a circle including
people and the earth, spirits and the natural environment.
Wireless crystal radio sets, accordions and fiddles
were early forms of communications technology, precursors to the
phenomenon of cyberspace, and Natives used them to continue these
traditions. Adopting and adapting technologies are central to the
cultural changes among Natives in Canada. Radio reached remote
settlements and reserves long before TV and stereos (in many places,
there was no electricity to run these devices until the 1960s).[17]
This was a profound introduction to white culture and music. Much of
that music was country and western, and it determined the sound of
the new Inuit music for generations.[18]
The Inuit are a prime example of Indigenous people
taking up technologies as they arrive, mastering communication and
technical devices, from accordions and fiddles to the computer,
adopting from the first whaling boats in the 1600s, wireless crystal
radio sets in the 1930s to GPS today.
Jon Pierce tells a story from the Keewatin, of the
white men (kuallinuk) who were camped in a raging snowstorm, a
whiteout, in the middle of the tundra. "You couldn't see two feet in
front of your face. Then out of nowhere, these Inuit pulled into
camp on their skidoos. They just wanted to check to see the visitors
were OK. "How did you find us in this storm," they asked, marveling
at their Inuit abilities on the land. One guy grinned and pulled a
GPS from inside his parka."
Adopting and adapting technologies are central to
the cultural changes among Natives in Canada. Radio reached remote
settlements and reserves long before TV and stereos (in many places,
there was no electricity to run these devices until the 1960s). (via
The reality is that technological and other
adaptations have had profound effects on Native cultures and norms,
advantages and costs. From the beginning, though, resistance has
been strong, in the sense that Native have always striven to make
use of the new tools on their own terms.
Next: 4.1 The Fiddle and the Drum
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Notes
[17]
Like the Net today, radio in the 1930s emerged (at least in the
South) "with hopes of initiating utopian democracy" but was
"conceived by its creators not as a public service but a consumer
product;" the rhetoric of the promise of the Internet like radio
before it "obfuscates any real understanding of the material place
of the emergent medium in society and ultimately nullifies any
potential for social change the emergent medium might have had." The
"feeling of fulfillment offered by the surrogate space of radio was
an essential element in the rhetoric of democracy and equality (and
revived sense of community) that evolved around its promotion," but
rather than ameliorating constraints of geography and economic
status, radio was rather a means of merely "effacing real class
differences" (Spinelli 2000: 268-69, 270).
[18]
"Radio continues to influence (remote Northern) places as the
Southern urban culture switches its attention to TV, MuchMusic and
MTV, and CDs. Long before Anik brought television to the North in
1974, the Inuit could pick up WWVA, West Virginia's country
heartland station, and most Inuit in Eastern Canada grew up with
that sound.
Country and western is the most popular genre of
music in the North and in other rural Canadian areas. A
representative sample of some 20 Inuit albums in the School for
Studies in Arts and Culture: Music at Carleton University are almost
all country oriented, displaying genres as diverse as bluegrass,
rockabilly, country rock and the slick Nashville sound" (Patterson
1995: 73). |